* w. s. merwin & the friday influence

Dusk in Winter – W. S. Merwin

The sun sets in the cold without friends
Without reproaches after all it has done for us
It goes down believing in nothing
When it has gone I hear the stream running after it
It has brought its flute it is a long way

***

 This week on the Influence: W. S. Merwin!

What I love about Merwin’s poem above is how he gets in so much into a few lines.  Not only the brevity but the subject matter.

We are told that the best novels throughout history deal namely with family/love relationships, that there is so much to said within those frames of humanity.  Equally, poems are said to be about either love, life, or death.

What the stock objects – rain, leaves turning colors, rivers flowing, waiting in line at a grocery store – serve are to open up something everyone can identify with while following along with the poet to see how it is they see it.

That personal take on things – whether it is evoked in turns of phrase or particular images and narrative – is the fingerprint on the poem, the echo of the soul passing through the words (through the world, through the reader), what it is that teaches and awes in a poem.  It is the hardest thing to achieve: singularity, an indelible presence.

Merwin’s work in translation (his Neruda’s Twenty Love Poems has been the standard for years) comes through here in the way he turns a sunset into a fable of sorts, works the images down into the emotions they evoke.  The starkness created by not having punctuation cues me in as a reader to engage with the poem, to follow the logic of the phrasing as it unfolds, each turn a little surprise along the way.

***

rains, yo

The rainy season has officially begun here in Eugene.  In honor, here’s one more by Merwin:

To the Rain – W. S. Merwin

You reach me out of the age of the air
clear
falling toward me
each one new
if any of you has a name
it is unknown

but waited for you here
that long
for you to fall through it knowing nothing

hem of the garment
do not wait
until I can love all that I am to know
for maybe that will never be

touch me this time
let me love what I cannot know
as the man born blind may love color
until all that he loves
fills him with color

***

Happy filling!

J

(photograph found on: http://www.guardian.co.uk/books/booksblog/2008/sep/26/poster.poems.rain.poetry)

* thistleburrs & the friday influence

Song of the Barren Orange Tree – Federico Garcia Lorca *

 Woodcutter.

Cut my shadow from me.

Free me from the torment

of seeing myself without fruit.

 

Why was I born among mirrors?

The day walks in circles around me,

and the night copies me

in all its stars.

 

I want to live without seeing myself.

And I will dream that ants

and thistleburrs are my

leaves and my birds.

 

Woodcutter.

Cut my shadow from me.

Free me from the torment

of seeing myself without fruit.

 

***

 

This week’s Friday Influence presents this lovely poem by the great Spanish poet Federico Garcia Lorca.

One of the great things about lyric poetry  is how the personal nature that moves behind it can be either implicit or explicit.  Here, so much is implied through the character of an orange tree.  Desolation and loss are evoked in the repeated first and last stanza.  There is also desire – the “ants/and thistleburrs” of the third stanza come alive and send shivers through me.

There is something  to a poem like this, the way it works within a context and makes use of the image of a barren orange tree to make you feel something, make you consider things you never could otherwise.  “Why was I born among mirrors?”  I would never have asked myself that before.  It all lies in the use of “I”.

To go back Rimbaud’s idea of “I is an other” – the “I” here is literally “an other”, but it reflects the “I” who I am all the more.

Yes.  I  just wrote that sentence.

 

***

 

In other news, I got my job back at the bookstore here.  I come home smelling of old books.  The smell is like cantnip to my lady.

Happy thistleburring!

J

 

* translated by W.S. Merwin