* some words from W. H. Auden & the friday influence

“I will love you forever” swears the poet. I find this easy to swear to. “I will love you at 4:15 pm next Tuesday” – Is that still as easy? (Auden)

Can you make it?

Can you make it?

This week on the Influence: W. H. Auden.

Auden’s one of those guys I come back to in my thoughts, and whose words I butcher in conversation.

Like there’s the essay where he talks about how if you have a poet who writes because he believes strongly that he has something to say, let that poet become a politician, a journalist, or anything else because he doesn’t have a chance of becoming a poet.  But if you have a poet who is genuinely interested in putting one word next to another and seeing how they might affect each other, bleed into one another, then maybe – just maybe – that person might turn out to be a poet.

His writing – poems and essays – have been with me long enough to have become part of the layers of sedimentary rock that make up the floor holding up my writing self.  (As is evident, I am not so with the smarts as him!)

Usually the “some words” posts are made up of longer quotes, but I feel I have quoted, paraphrased, or said things shaped by the man enough throughout the Influence’s existence that I can do right by him best by simply admitting it.

His gift for aphorism is almost as great as Oscar Wilde’s.  But his distinction is how he will say a thing both sharp and true (Wilde seems to always be going for the kill).  Case in point:

In times of joy, all of us wished we possessed a tail we could wag.

He also has a sensibility about reading that makes him kindred with that other great reader, Jorge Luis Borges:

There are good books which are only for adults.
There are no good books which are only for children.

AND I keep finding more aptly said things – apt because with all the big moves going on in my life at the moment, I need to hear things like the following said:

You owe it to all of us to get on with what you’re good at.

Amen.  That might be my mantra for the next few years.

*estrellas*

*estrellas*

The following poem exhibits much of the same bite and vulnerable spirit that rings through in the quotes above.  Enjoy.

The More Loving One – W. H. Auden

Looking up at the stars, I know quite well

That, for all they care, I can go to hell,

But on earth indifference is the least

We have to dread from man or beast.

 

How should we like it were stars to burn

With a passion for us we could not return?

If equal affection cannot be,

Let the more loving one be me.

 

Admirer as I think I am

Of stars that do not give a damn,

I cannot, now I see them, say

I missed one terribly all day.

 

Were all stars to disappear or die,

I should learn to look at an empty sky

And feel its total dark sublime,

Though this might take me a little time.

***

Happy timing!

Jose

p.s. PhD update: For those of you keeping up, I am happy to announce that me and mine are Cincinnati bound!

* Robert Hayden & the friday influence

Those Winter Sundays – Robert Hayden

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze. No one ever thanked him.

 

I’d wake and hear the cold splintering, breaking.

When the rooms were warm, he’d call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

 

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love’s austere and lonely offices?

***

This week on the Influence – Robert Hayden!

*the man*

*the man*

This poem gets a lot of love – on the internet, in anthologies, in classes – and deserves every bit of it.

I opened up my reading this past Tuesday with this poem, reciting it from memory.  It is one of those poems I’ve carried close to me for years now.  The poem never stops teaching me something.

Here’s what I said about it at the reading:

This poem opened up a lot of doors for me.  It is a poem of presence: blue black cold – splintering breaking – there is presence in the very sounds!  But the poem ends with that question – What did I know, what did I know… and that question comes from a place of absence.  The origins for my book The Wall started from a similar absence, from not knowing my father at all growing up because he died when I was six and spent most of those last years in prison.  The poems start from absence – like a blank page, and the poems fill it up.

This week was a big week for me – I don’t get them often.

Thank you to everyone who was a part of it.

See you next Friday!

Jose

p.s. A little more love for Hayden from the Poetry Foundation can be found here.