* Sharon Olds, newspapers & the friday influence

This week on the Influence: Sharon Olds!

Just read through Olds’ latest book, Stag’s Leap, a powerful collection of poems – for which she recently was awarded the T.S. Eliot Prize – centering on the story of her divorce.

The poems take on the separation with the nerve and lyrical litheness that are characteristic of Olds.  (Also: at one point she parts the Red Sea – seriously: check that out!)

I chose the poem below because it embodies much of what I admire in her skill as a poet.  There is the opening up of a moment, the digging into the details in words that put the subject – in this case, handling the newspaper – right in your hands, words like mineral-odored and greyish speckle.  She does it all with a straightforward energy that takes you along for the ride, evoking every nuance of the emotion felt.

There is a great awe in her work – a sense of awe of the world, of being a part of it, and being able to put it into words.  Few can go to this place of awe like she does.

As an American poet, I feel indebted to Sharon Olds for how she manages to stay grounded while still taking flight.  I see her in line with Whitman as well as Elizabeth Bishop – all poets of finding and feeling exuberance where you don’t expect it.

*periodico*

*periodico*

On Reading a Newspaper for the First Time as an Adult – Sharon Olds

By evening, I am down to the last,
almost weightless, mineral-odored
pages of the morning paper, and as I am
letting fall what I have read,
and creasing what’s left lengthwise, the crackly
rustle and the feathery grease remind me that
what I am doing is what my then husband
did, that sitting waltz with the paper,
undressing its layers, blowsing it,
opening and closing its delicate bellows,
folding till only a single column is un-
taken in, a bone of print then
gnawed from the top down, until
the layers of the paper-wasp nest lay around him by the
couch in a greyish speckle dishevel.  I left him to it,
the closest I wanted to get to the news was to
start to sleep with him, slowly, while he was
reading, the clouds of printed words
gradually becoming bedsheets around us.
When he left me, I thought, If only I had read
the paper, 
and vowed, In two years,
I will have the Times delivered,
so here
I am, leaning back on the couch, in the smell of ink’s
oil, its molecules like chipped bits of
ammonites suspended in shale,
lead’s dust silvering me.
I have a finger, now, in the pie –
count me as a reader of the earth’s gossip.
I weep to feel how I love to be like
my guy.  I taste what he tastes each morning
without moving my lips.

***

Happy tasting!

Jose

* photo found here

* Mary Oliver, William Blake & the friday influence

Blake Dying – Mary Oliver

He lay
with the pearl of his life under the pillow.

Space shone, cool and silvery,
in the empty cupboards

while he heard in the distance, he said,
the angels singing.

Now and again his white wrists
rose a little above the white sheet.

When death is about to happen
does the body grow heavier or lighter?

He felt himself growing heavier.
He felt himself growing lighter.

When a man says he hears angels singing,
he hears angels singing.

When a man says he hears angels singing,
he hears angels singing.

night startled by the lark - wiliam blake

night startled by the lark – wiliam blake

This week on the Influence: Mary Oliver!

I picked this poem up at work while shelving Mary Oliver’s latest book, A Thousand Mornings.  

The words stopped me as I shelved.  There is simplicity in this poem that is akin to still life painting – but a poet’s take on it.  A moment – a dying moment – as still life.

She conjures much with little.  From pearl to space to her choices in colors – all of it culminates into the hanging presence of Blake’s hearing angels singing. 

There’s not much to do once you get into this kind of moment in a poem but acknowledge it.

Blake’s relationship with the angels takes me back to being 18, sitting in Dana Levin’s Form and Theory class, her introducing a Blake poem, prefacing it by saying This guy saw angels in the trees!  

Being, again, 18, I was like – yes, of course, totally – eager to understand and see them too.

Seeing the angels in this poem is another lesson.  Oliver’s repetition in the last two couplets – their very emphasis on Blake’s words – drives home to me how all a poet can do is tell what they see, how they see it.  And all that’s needed to honor this seeing is to listen.

Happy listening!

Jose