book news & co.

Excited to share that my next book, we say Yes way before you, is forthcoming from Black Lawrence Press in March 2020! You can read about the project as well as two poems from it in this profile. Special thanks to Diane Goettel and the BLP crew for being so welcoming!

Photo of a pair of traffic lights on green by Raphael Brasileiro on Pexels.com

Been sitting on this news for a few weeks. I actually got the phone call a day or two before we moved all our belongings to a new city. I’ve been going through a difficult time specifically in terms of how I see myself as a writer. Getting this news was a win I didn’t know I needed.

Part of this new book process has me writing for permissions, something that is new to me and which this article by Jane Friedman gives invaluable advice about. Along with learning a new literacy and genre of writing, there’s the work of reconciling the metaphor in the language, the word permission itself. I often get stuck in such conceptual/metaphorical tangents while doing the “office work” type of things of a writing life. The very language of publication–submission, rejection, acceptance, etc.–is charged with (un)intentional and telling meaning.

One last thing to share: I’ve begun reading bell hooks’ Teaching to Transgress and have been floored by how much I’m connecting with the book. It helps to see someone else do work in the classroom that I have felt self-conscious about, like connecting and wanting to reflect and honor the knowledge students bring with them.

’til next time,

José

writing prompt: predictive text

Back to teaching full time this week. Been exciting and inspiring, while at the same time very real. What I mean is that the more I teach, the more I feel myself be more myself. And it’s not a thing I can summon or call forth. The space held in shared open questioning and conversation calls it forth.

Tangentially connected, at one point this week I watched this interview and supplemental writing “exercise” clips between Trevor Noah and Amanda Gorman that are illuminating. In the interview, Gorman speaks of poetry as water, a way to “re-sanctify, re-purify, and reclaim” the world around us. Her inaugural poem, “The Hill We Climb,” and its consequent impact on our American conscience at this moment in time are a solid gesture and step in the direction of this work.

In the second clip, Noah and Gorman engage in a predictive text writing exercise. It’s the kind of thing I see on Twitter sometimes and can’t help but join in on. Engaging directly and purposefully with predictive text can at times feel like having an echo of your latest obsessions as well as the way you articulate yourself in daily life cast back at you. Sometimes the screens in our hands look back, yo.

Noah and Gorman’s parameters were to start with the word “Roses” and limit themselves to 15-20 words. I went ahead and tried a few of my own. Feel free to share in the comments should you try this out yourself 🙂

Photo of roses by Aleksandar Pasaric

exercises in predictive text

Roses and the other one of my friends that I nominated for an oppositional the same situation that is

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Roses are you doing well today so much going to congratulate someone to take care if you have a great weekend

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Roses and I have a few things I would do anything to make sure you got the most important part