rad Wallace Stevens

This week’s poem – “The House Was Quiet and The World Was Calm” by Wallace Stevens – takes me back to a conversation I had with a co-worker when I worked at a bookstore years ago. I had been arranging the poetry section for National Poetry Month and positioning a Wallace Stevens book to face out from a eye-level shelf. My co-worker happened to pass by and say: Stevens! Cool! I know one poem by him. “The House Was Quiet and The World Was Calm.” It’s rad!

I hadn’t read the poem but I was intrigued, as Stevens is often not the easiest person to follow line by line. Not that I didn’t think my co-worker incapable of following a Stevens poem, but rather that a conversation about Stevens, for me, usually brings in difficulty, his use of ambiguity and lyrical obfuscation, and the way you have to work at following what he has to say. At least that’s been my experience. I usually tell folks that I’ve picked up and put down Stevens’ Collected Poems three times in my life, each time getting a little farther into it, before moving on, not defeated just knotted with questions. And yet, getting through more and more poems of his continues to be a rich experience.

bookstore_eugene_oregonWhen I finally read the poem below, it was a double surprise. Not only is it a poem that feels like looking through a beam of light – the clarity of the language and meta-thought is such that I immediately doubted my ability to follow what was being said – but the subject of the poem at the end, the way it honors the reading act, makes it an apt poem to be shared between bookstore employees. I mean, our living was made around reading.

I suppose this post is less about the poem but more about reading acts and reading experiences shared. As this blog began as an effort to share my own reading experiences, it’s nice to come back to those roots as dwell a bit on how they’ve been inspiring me throughout my life. Whether you find the poem below “rad” or not, see what you catch of it. See what you “become” and what becomes of you in the process.

The House Was Quiet and The World Was Calm – Wallace Stevens

The house was quiet and the world was calm.
The reader became the book; and summer night

Was like the conscious being of the book.
The house was quiet and the world was calm.

The words were spoken as if there was no book,
Except that the reader leaned above the page,

Wanted to lean, wanted much most to be
The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.
The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:
The access of perfection to the page.

And the world was calm. The truth in a calm world,
In which there is no other meaning, itself

Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.

from Collected Poems (Vintage)

testamenting with Carolyn M. Rodgers

Over the summer, I got a chance to add to my forthcoming poetry collection, An Empty Pot’s Darkness, which will be published in 2019 by Airlie Press. This book is an expansion of my chapbook Corpus Christi Octaves (Flutter Press) and its series of lyric sequences about two late friends from my hometown in Texas. This new collection builds on the theme of mortality, the latest addition being a “testament” poem.

testamentTestament poems tend to be a mix of a poet’s last will in verse (a la Francois Villon) and a catalogue of wishes and hopes (a la Pablo Neruda). This particular mode of lyric meditation, for me, ended up feeling expansive. I was surprised by how I ended up writing less about the life live and more about the act of writing as living and survival.

I see a similar emphasis on survival in the poem below by Carolyn M. Rodgers. The poem begins by immediately departing from the testament’s focus on the self and instead addressing the poem to another. By doing so, connection becomes part of the survival act. The poem moves in its declarations and images of hardship, creating a narrative that reaffirms life through active survival. Speaking of how “we can stand boldly in burdening places (like earth here),” Rodgers honors this survival as the undeniable fact of who we are. 

Testament – Carolyn M. Rodgers

child,
in the august of your life
you come barefoot to me
the blisters of events
having worn through to the
soles of your shoes.

it is not the time
this is not the time

there is no such time
to tell you
that some pains ease away
on the ebb & toll of
themselves.
there is no such dream that
can not fail, nor is hope our
only conquest.
we can stand boldly in burdening places (like earth here)
in our blunderings, our bloomings
our palms, flattened upward or pressed,
an unyielding down.

from The Heart as Ever Green (Anchor Press)