* questions with Pablo Neruda & Mary Oliver

XXXIII.

And why is the sun such a bad friend
to someone walking in the desert?

And why is the sun so friendly
in the hospital garden?

Are these birds or fish here
in nets of moonlight?

Was it where they lost me
that I was able to find myself?

Pablo Neruda, from the Book of Questions

* sunsetular *

* sunsetular *

The above excerpts from Neruda are from a post I did last summer having some translation fun (see here).

It is my birthday month and so I am in question mode all sorts.  I believe questions can be their own genre of literature (ask Neruda).

There is the story of the Rabbi being asked by his son: What is the meaning of life? – to which the Rabbi responded with: Why would you ruin such a great question with an answer?  

The poem below by Mary Oliver turns on its questions, creates from a desire to know, a knowing.

***

Some Questions You Might Ask – Mary Oliver

Is the soul solid, like iron?
Or is it tender and breakable, like
the wings of a moth in the beak of an owl?
Who has it, and who doesn’t?
I keep looking around me.
The face of the moose is as sad
as the face of Jesus.
The swan opens her white wings slowly.
In the fall, the black bear carries leaves into the darkness.
One question leads to another.
Does it have a shape?  Like an iceberg?
Like the eye of a hummingbird?
Does it have one lung, like the snake and the scallop?
Why should I have it, and not the anteater
who loves her children?
Why should I have it, and not the camel?
Come to think of it, what about the maple trees?
What about the blue iris?
What about all the little stones, sitting alone in the moonlight?
What about roses, and lemons, and their shining leaves?
What about the grass?

***

Happy grassing!

Jose

* (Hum)An Algebra with Don Bogen

Anything That Happens – Don Bogen

Anything that happens is too fast to see
But I watched it – there are pictures in the album
Less than a second’s light fixed in chemicals
Little boxes under a vinyl sheet gone cloudy now
What are these dyes that fade at the surface
That child face you wear still under your skin
Whenever I look nothing changes
A photo gives the residue of a lost moment
It claws at memory like a drowning swimmer
Who will not be saved

* insert sound of cellophane here *

* insert sound of cellophane here *

Just finished reading Don Bogen’s book An Algebra, a collection consisting primarily of extended lyric sequences counterpointed by shorter lyrics like the one above.

The poem above speaks to the heart of the collection – Bogen presents a lyrical exploration of personal history, a concept that would be daunting if it weren’t rooted in a sense of self.  You can hear a real voice puzzling over That child face you wear still under your skin.

Last month I spoke about how cemeteries and thrift stores are alike in that they are charged with human connection, human lives passing each other in stone and aisle.  Reading the next poem, I marveled at Bogen’s ability to delve into that other charged human place – the yard sale – and dig out of it a real sense of mortality.

The way things change when we get rid of them, the way we change getting rid of them, what passes idly through the hands on a Saturday morning – all of it part of the history of who we were.

* chair's the dresser! *

* chair’s the dresser! *

Wants – Don Bogen

There’s nothing anyone could want
A yard sale where the private past is suddenly on display
Brought up from storage, dazed and blinking
Drugstore lamps, dessert glasses, AM clock radio
The two-speed bicycle you stripped down over the years
Worth more if it still had its tank, fins, and handlebar streamers
What moves and what doesn’t – you can’t sell it all
On card tables old desires transpose into objets d’art and junk
The basement empties like the hold of a freighter
So you can get away

*

Happy awaying!

Jose