* final reasons (not) to dance excerpts & art

For various reasons, I fell behind in sharing more from my latest chapbook of prose poems and flash fictions, Reasons (not) to Dance. As promised, here is the final installment of excerpts and artwork from the project.

* train of thought *

* train of thought *

This almost-cover image was inspired by the piece below, “Relinquished.” One of the memories that always comes up when revisiting this particular piece is one audience member’s reaction back in 2013. I was doing a reading for the Eugene Public Library’s Windfall Reading Series (run by the Lane Literary Guild) and performing excerpts from an early draft of Reasons. As the narrative developed, there was a gasp that reached me as the piece came to its conclusion:

 

Relinquished

 

                        after Lafcadio Hearn

 

A Buddhist priest – upon receiving a note of love from a woman who had seen him only in passing and could not think of anything else and now hoped for a response from his heart –wrote a letter himself saying that he relinquished his body for he was growing weak and did not want to sin and sent it to his superior before heading out in time to kneel between the rails as an oncoming train made its scheduled trail of smoke and sound in the night – leaving what was left of the man’s heart to be turned over and over in the sleepless thoughts of a woman.

***

* what blossoms here *

* what blossoms here *

This last image was inspired by the piece that closes Reasons, “Rewarded.” A side note: the story of the man and the tree retold in this piece is from a Zen Buddhist tale. Between the piece above and this one, one can read one of the underlying themes of the project, the worlds one experiences between restlessness and rest:

 

Rewarded

 

Showering under a low faucet, I see the sun begin to show at the window. The room fills with orange light, and I am like the man rewarded for his silence as he slept under an orange tree that dropped its blossoms over him in such a way he heard a voice thank him for his words on emptiness. When he spoke up, and said he had said nothing, the tree agreed, he had said nothing, and the tree had heard nothing, and the rush of blossoms poured on.

***

Reasons (not) to Dance is available from FutureCycle Press is available in paperback and Kindle here.

Thank you to all who have bought copies and have shared your thoughts on the project. Special thanks to Diane Kistner and everyone at FutureCycle Press for all the support with this project.

Thank you also to Blue Earth Review for publishing both “Relinquished” and “Look” (shared here) and placing them 2nd in Blue Earth Review’s 2014 Flash Fiction contest.

Lastly, a very special thanks to Andrea Schreiber (“my co-conspirator” to whom the chapbook is dedicated) for all the great artwork and support. It is her art displayed not only on the cover but also on the Reasons-related art/excerpts posts today and from this summer.

See you next Friday!

Jose

* chapbooks celebration reading

As promised, I have uploaded another reading from our time in Texas back in April. I had hoped to share videos of me reading from both Corpus Christi Octaves and The Wall in order to celebrate their respective anniversaries. Sadly, the reading from the Octaves was severely crashed by seagulls and sun. The seagulls kept cawing over the words (these were poetic seagulls, mind you) and the sun kept me squinting the whole time. I also ended up bursting out laughing at the seagulls mid-reading. It was a mess! But it did lend itself to this iconic screenshot where the inspiration for the cover (artwork by Andrea Schreiber) can be seen:

* mirador mirando *

* mirador mirando *

All being said, we had fun! Below is a reading from The Wall that came out, only minor seagull interference. The text of the poems read are also below:

Key Dream – Jose Angel Araguz

In which I guide the metal, shave it down, follow the make of another key snapped where one would hold it, and when done, turn to face a door I remember from a neighborhood I never lived in but visited once to hear stories of my father, a door that is locked when I try the handle so that I pull out the new key, and when that jams, begin talking to myself, and stop only to lift a key ring from my side, slide the new key next to a hundred others, and let my arm fall, the key ring hitting my side in a dark chuckle.

Ocean Dream – Jose Angel Araguz

In which I am pushed down into the sand only to look up and see a man running into the waves, his legs then breaking into waves, his body breaking into waves, something of my father’s face breaking into waves, until all I am left with is that clash of water and sun that makes metaphor unnecessary.

Concrete – Jose Angel Araguz

Now I’m as old as my father was
When less than a year was left him (Carl Dennis)

At this point, my father had been in jail long enough to be used to concrete, his walls, floors, and sky the same color as the memories I have of him, a color that does not deepen despite the ink and pages, a color that comes out in the weather only when the clouds are full and waiting to let fall nothing one can hold onto.

***

See you Friday!

Jose