watching with joe wilkins

One of the things poetry is able to do is help reflect the minor shifts in life after something major happens. After the election this past November, for example, I joined many others in shifting the things we paid attention to. Whether it was checking the news more regularly or vetting clear, accurate news sources, or simply noting how I am no longer able to laugh at satirists while the political climate shambles on, I find myself  not exactly jaded but rather more aware and, thus, more watchful.

This spirit of watchfulness pervades this week’s poem “Note to My Unborn Son concerning Manufacturing Economics and Courage” by Joe Wilkins, from his collection When We Were Birds. Within an address to an unborn son, Wilkins’ speaker is able to navigate the territory of job loss and its effect on lives in an intimate and direct manner. As the speaker centers a meditation on courage around the image of a family walking at evening, the poem makes a case for presence: presence as resistance, presence against the odds.

pexels-photo-249392“Watch the world, child, / it will teach you,” says the speaker, and in saying so within the conceit of this “note,” the speaker becomes part of the world to be watched. The final image of breath mirrors other things that pass (factories, time), and ends the poem on a note of human vulnerability in which the speaker’s own watching teaches him.

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Note to My Unborn Son concerning Manufacturing Economics and Courage
Joe Wilkins

Oh, now they have closed the factory.
We do not work at the factory,
so we are lucky,

which means we do not have to be brave.
It is no good having to be brave
all the time. You’ll see. I see

those ones who do. In the evenings
they walk their snuffling mutt,
smoke slowly their cigarettes.

Watch the world, child,
it will teach you. See, this is courage —
how he sets his steak-thick hand

to the small of her back,
how she bends and itches the ears
of that lucky, goddumb dog,

the way they breathe and their very breaths —
smoky, full of evening’s coming freeze —
seem to big for them to breathe.

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Happy watching!

José

new work & review online!

The recent busyness of my move back to Oregon have delayed my sharing a number of recent online publications.

First up is the latest issue of Failed Haiku which features four of my senryu as well as illuminating work by Alexis Rotella, Lori A. Minor, Chen-ou Liu, and Terri L. French. Check out the issue here!

Special thanks to Mike Rehling for including my work and fostering such a great community of artists!

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Next up is my poem “Depredadores en sombra” featured as part of Círculo de Poesía’s project #POESÍACONTRAELMURO / #POETRYVSTHEWALL / #POÉSIEVSMUR: POETAS DEL MUNDO, CUARTA PARTE.

I’m proud to have my first published poem in Spanish be part of this important project.

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Lastly, I am happy to announce that I have signed on to be a regular reviewer for The Bind, a review site devoted to presenting creative reviews of poetry books by women and nonbinary authors.

Here is my review of Debora Kuan’s Lunch Portraits (Brooklyn Arts Press).

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20170514_174144-1And lastly, just a quick reminder that my new book of poems, Small Fires (FutureCycle Press), is available for purchase!

This collection features my poem “Alien” originally published in Crab Creek Review.

See you Friday!

José