* sketching with Miriam Sagan

*historically historic district*

*historically historic district*

This is a church right across the street from our new apartment in Cincinnati.  We have moved into a historic district which reveals new things with each walk we take around the neighborhood.

The drive across country was a series of things being revealed.  In Itasca, Ani pointed out a cardinal excitedly, fascinated with how the actual red of the cardinal is a different from what she envisions in her head.  I told her to sketch it.  She responded: How do you sketch that red?

**

A few weeks before the move I was delighted to receive from Miriam Sagan herself a copy of her book “Seven Places in America: A Poetic Sojourn.”  The poems and essays in the book follow Sagan as she travels to seven places and documents the life lived and seen.  It was a great guide for my own poetic sojourn, and the inspiration for my post last week.

The poem below is one of a number poems in Sagan’s book that create their magic through a series of short lyrics.  There’s something about the short lyric that is ideal for travel.  When you travel there is so much to see – you can barely take it all in, much less write about it.

How do you sketch that red?

One line at a time.

**

Sketches in a Notebook – Miriam Sagan

a lizard
living
in a rolled up shade

tree bromeliads –
two cormorants
build a nest of twigs

man with a cane
crosses path with
a tiny turtle

child pats the palm tree
ignores
the alligator

tree canopy
butterfly, and purple glade
morning glory

rare buttonwood vine
looks like any foliage –
but rare –

a leaf drops in
the mahogany hammock –
without season

out of the palm trees
a peacock darts – escaped –
but from where?

tree snail gleams
in the leaf canopy –
stolen ghost orchid

raindrops’ circles –
yellow spatterdock flowers
floating green pods –

two shy vultures
pick raindrops
off the car’s roof

only the most
delicate colored pencils
draw the tree snail’s shell

cypresses
drawn in an inky line,
overcast afternoon

leaf’s
drop tip
implies rain

**

Happy implying!

Jose

* check out Miriam Sagan’s blog here.

* one year later & three chinese poets

[the lyric poet] always says “I” and sings us through the full chromatic scale of his passions and desires – (Nietzche)

*duly noted*

*duly noted*

Think what you will of Nietzche, he goes overlooked as a poet – and I don’t mean his actual poems but more the spirit with which he approached his writing.  Like the quote above shows, the big N had a way with the aphoristic insight, a lyric way of understanding the world that showed in everything he said.

It is in this spirit that I started this blog a year ago.

Along with having a place for people interested in my work to find me and connect, I wanted a forum with which to share some of what feeds me creatively with fellow readers and writers.

In the past year, I have shared not only poems I admire but other things as well (philosophy, songs, etc.) that have stirred me and made me think – always with an eye towards how it relates to poetry, the writing of it, the spirit of it.

I recently admitted to fellow poet and blog buddy Miriam Sagan that only now, a year later, have I begun to understand what an ever-evolving animal a blog can be.  The Influence has more and more come out of my notebooks, out of my thoughts on a given week.  This approach feels right.

This blog, ultimately, is a reader’s blog.  The enthusiasm that drives me to share is that of a reader, and what insights I stumble upon are due to reading well.  I hope to continue appealing to the reader in all of you.

Lyric poetry is often defined as short and personal.  In many ways, our very lives can be defined as such.  Reading is where these two worlds – where many worlds – meet.

*this, too, is reading*

*reading*

Here are three poems from Vikram Seth’s book Three Chinese Poets – translations from the work of Wang Wei, Li Bai, and Du Fu.  Each poem in its own way pays attention to the short and personal world we live in.

***

Birdsong Brook – Wang Wei

Idly I watch cassia flowers fall.
Still is the night, empty the hill in Spring.
Up comes the moon, startling the mountain birds.
Once in a while in the Spring brook they sing.

*

In the Quiet Night – Li Bai

The floor before my bed is bright:
Moonlight – like hoarfrost – in my room.
I lift my head and watch the moon.
I drop my head and think of home.

*

Thoughts While Travelling at Night – Du Fu

Light breeze on the fine grass.
I stand alone at the mast.

Stars lean on the vast wild plain.
Moon bobs in the Great River’s spate.

Letters have brought no fame.
Office?  Too old to obtain.

Drifting, what am I like?
A gull between earth and sky.

***

Happy drifiting!

Jose