* stepping into the river with mark strand

When I read poetry, I want to feel myself suddenly larger … in touch with—or at least close to—what I deem magical, astonishing. I want to experience a kind of wonderment. And when you report back to your own daily world after experiencing the strangeness of a world sort of recombined and reordered in the depths of a poet’s soul, the world looks fresher somehow. Your daily world has been taken out of context. It has the voice of the poet written all over it, for one thing, but it also seems suddenly more alive… —Mark Strand, The Art of Poetry No. 77, 1998

* mark strand *

* mark strand 1934 – 2014 *

What moves me most about the above quote is how clearly it states the power of a poem to color one’s view of the world. You can’t step in the same river twice, Heraclitus said (and Borges quoted religiously 🙂 ). Poetry, then, is a way to document what the second steps into the river – and the third, fourth, etc. – feel like. You leave a good poem different, not for any act of manipulation, but simply an act of listening and attention, words that apply to reading and prayer.

I was happy to share the following poem with my students this week. I told them one of the things I love about it is how Strand gets away with repeating “someone” and “something,” big no-no’s that I look for when I revise my own work. Usually “something” is not pointing to an ethereal wonderment, but at a lack of specificity. In Strand’s poem, the words become the very air of a party, and then the air of the universe.

From the Long Sad Party – Mark Strand

Someone was saying
something about shadows covering the field, about
how things pass, how one sleeps towards morning
and the morning goes.

Someone was saying
how the wind dies down but comes back,
how shells are the coffins of wind
but the weather continues.

It was a long night
and someone said something about the moon shedding its white
on the cold field, that there was nothing ahead
but more of the same.

Someone mentioned
a city she had been in before the war, a room with two candles
against a wall, someone dancing, someone watching.
We began to believe

the night would not end.
Someone was saying the music was over and no one had noticed.
Then someone said something about the planets, about the stars,
how small they were, how far away.

***

Happy planeting!

Jose

* youthful counting with W.S. Merwin

I remember when I came across this week’s poem in 2008.

I was living another life on a street called Olive. The newsprint of the journal I was subscribed to at the time was never more precious, seemingly perishable, as when I read and later copied out this lyric by hand.

I knew then the poem was doing more than I could see.

The lack of punctuation echoed what I had then read and reread of Robert Frost, how he felt the language and phrasing of speech should guide as it does here. Also: how Frost could fill in a fifty character telegraph message with one sentence and no need for punctuation.

The other thing I catch now that I didn’t then is how the poem is worked out in ten syllable lines. I have been doing this kind of syllabic counting for years, but rarely have I caught others in the act. Makes  me want to go over so many poems again and reread them with sharper eyes.

Which is the hope, really, of youth: to sharpen.

Over time, I’ve seen that one does not necessarily sharpen, but things do: memories especially.

Merwin’s last line here is for the ages.

* not so insta-gram *

* not so insta-gram *

Youth – W.S. Merwin

Through all of youth I was looking for you
without knowing what I was looking for

or what to call you I think I did not
even know I was looking how would I

have known you when I saw you as I did
time after time when you appeared to me

as you did naked offering yourself
entirely at that moment and you let

me breathe you touch you taste you knowing
no more than I did and only when I

began to think of losing you did I
recognize you when you were already

part memory part distance remaining
mine in the ways that I learn to miss you

from what we cannot hold the stars are made

 ***

Happy mading!

Jose