* a makeshift anniversary w/ lucille clifton

A year ago, I was in the hospital due to some GI issues that brought me close to dying. I have been wondering how I would feel come this makeshift anniversary. Strangely enough, I am in the same mix of life as then.

That said, I do see myself in a different place in the light of the many gifts since then: the gift of my first wedding anniversary; the gift of seeing Everything We Think We Hear printed as well as having The Book of Flight soar into the (e)world; the gift of doing poetry readings in my hometown again; the gift of having my family hear me read poems and share what I love; the gift of new projects and new friends.

This makeshift anniversary has brought up complicated feelings to say the least. And yet, the feelings aren’t exactly unmanageable or strange. When I think of poets able to navigate this terrain of human fatefulness, Lucille Clifton comes readily to mind.

praying-hands-715764_960_720In the poem below, Clifton describes “sorrows” through imagery that evokes a mix of angels and the duende. It’s exactly this mix of the living and the dying that poetry manages to bring to understanding one lyric at a time.

sorrows – Lucille Clifton

who would believe them winged
who would believe they could be

beautiful who would believe
they could fall so in love with mortals

that they would attach themselves
as scars attach and ride the skin

sometimes we hear them in our dreams
rattling their skulls clicking

their bony fingers
they have heard me beseeching

as i whispered into my own
cupped hands enough not me again

but who can distinguish
one human voice

amid such choruses
of desire

*

Happy chorusing!

José

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        Reasons (not) to Dance by Jose Angel Araguz

          Reasons (not) to Dance

by Jose Angel Araguz

            Giveaway ends August 07, 2016.

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* special feature: Poet Lore magazine & a poem

123 years and running…

“I know you are reading this poem as you pace beside the stove warming milk, a crying child on your shoulder, a book in your hand because life is short and you too are thirsty.”
—Adrienne Rich

This week on the Influence: Poet Lore!

One piece of advice that has helped me grow in spirit as a writer is to pick up and read through every contributor’s copy that comes my way, and seeing that as part of engaging with the community of writers I am (to use the direct and physical metaphor of pages in a magazine) bound to.  Doing this, I have come across some great poems and been able to reach out to fellow poets.

This month, I was proud to receive my copies of the latest issue of Poet Lore.

My first encounter with the magazine included work by Jim Daniels as well as Lucille Clifton’s last interview.  What moved me to submit, however, was the magazine’s overall format: a selection of poetry from various poets, then a larger/chapbook sized selection from a featured poet, then some essays and reviews at the end.  This format says much about the consideration and focus given to the poets and the work included.

This latest issue is a celebration of the female spirit that has driven forward both this country (the cover photo above is from a 1912 Suffrage Parade) and this magazine (PL was founded by Charlotte Porter and Helen A. Clarke in 1889).

The quote above from Adrienne Rich opens up the selection of poetry that, when read through, flows smoothly through the many worlds the poets represent: from junkyards and classrooms in America to the Ganges in India.  The featured poet in this issue is Samiya Bashir, whose sonnet sequence enters and opens up the relationship between the legendary John Henry and his wife Polly Ann.

Overall, the editors have done an outstanding job of not only selecting poems for this issue but of ordering them into something that reads like a revelation.  The magazine feels like an awesome mix-tape.

To find out more about Poet Lore, click here.

And watch out for the birdies on your way to my own contribution to the magazine:

sweet n…not true to their name.

Jodido – Jose Angel Araguz

this word that for my mother lies

between cracked sun-hardened skin

and being all out of luck

 

this word a summary

of months tallied in gray hairs

where she wanted to be angry

but dusted old photos instead

 

this word her word

for me at twenty-two

going hungry and disappearing

before she can finish

describing what it is we share

 

she might as well be shouting my name

calling me out of my sleeping bag in the living room

to see her off

my six-year-old arms reaching high around

her black apron

the color worn

to the smoke it reeks of

her pen and pad snug in the pockets

curled against me

Sweet ‘N Low packets snapping

like the broken claps of leaves

when she would walk to the car

and thunder off

in the unanimous roar

of gravel

***

Happy gravelling!

J

* picture featured here.