* youthful counting with W.S. Merwin

I remember when I came across this week’s poem in 2008.

I was living another life on a street called Olive. The newsprint of the journal I was subscribed to at the time was never more precious, seemingly perishable, as when I read and later copied out this lyric by hand.

I knew then the poem was doing more than I could see.

The lack of punctuation echoed what I had then read and reread of Robert Frost, how he felt the language and phrasing of speech should guide as it does here. Also: how Frost could fill in a fifty character telegraph message with one sentence and no need for punctuation.

The other thing I catch now that I didn’t then is how the poem is worked out in ten syllable lines. I have been doing this kind of syllabic counting for years, but rarely have I caught others in the act. Makes  me want to go over so many poems again and reread them with sharper eyes.

Which is the hope, really, of youth: to sharpen.

Over time, I’ve seen that one does not necessarily sharpen, but things do: memories especially.

Merwin’s last line here is for the ages.

* not so insta-gram *

* not so insta-gram *

Youth – W.S. Merwin

Through all of youth I was looking for you
without knowing what I was looking for

or what to call you I think I did not
even know I was looking how would I

have known you when I saw you as I did
time after time when you appeared to me

as you did naked offering yourself
entirely at that moment and you let

me breathe you touch you taste you knowing
no more than I did and only when I

began to think of losing you did I
recognize you when you were already

part memory part distance remaining
mine in the ways that I learn to miss you

from what we cannot hold the stars are made

 ***

Happy mading!

Jose

* old friends from Australia

* candy of two kinds *

* candy of two kinds *

The above book and treats arrived yesterday from my friend in Australia, Catherine Baab-Muguira – poet/novelist/and overall amazing person.  She has been kind enough to send along the book Poser by Claire Dederer across many miles between continents because a good book should travel far in so many senses of that phrase.

Those are also chocolate bars up there: those only have a day or two left of travel *ahem*.

Cat and I met each other in 2004 during the Bucknell Seminar for Younger Poets.  I was an insufferable young poet in my twenties (mind you, I continue to be insufferable in my thirties, no slacking there) and she was one of a gang of good people with which I had the gift of a month of writing/reading/talking poetry.

The poem below, by Australia’s legendary Les Murray, came to mind as I thought about doing this post in gratitude to my friend who lives in such a faraway and cool place (her beach photos are the best).  The poem came to mind because of the youthful drama of being a young poet that played out during the seminar in 2004 – a drama that still continues today.

Those last two lines:

As usual after any triumph, I was
of course, inconsolable

pretty much describe me after any particularly productive writing jag.

As a poet, you are never closer to the stuff than in the writing and rewriting.  The before and after, well, that’s the rest of your life.

**

Performance – Les Murray

I starred that night, I shone:
I was footwork and firework in one,

a rocket that wriggled up and shot
darkness with a parasol of brilliants
and a peewee descant on a flung bit;
I was busters of glitter-bombs expanding
to mantle and aurora from a crown,
I was fouettés, falls of blazing paint,
para-flares spot-welding cloudy heaven,
loose gold off fierce toeholds of white,
a finale red-tongued as a haka leap:
that too was a butt of all right!

As usual after any triumph, I was
of course, inconsolable.

**

Happy triumphing!

Jose