* living, dreaming & apples

Between living and dreaming
there is a third thing.
Guess it.

— Antonio Machado

I look at this quote and see much of the poetic craft summed up in it.

There is the living of everyday life – work, chores, relationships, food, tying your shoelaces – all the things that make up routine, the background to who we are.

Then there’s dreaming – both the idealizing of the future as well as the literal act of what is seen when we sleep.  The unspoken times.

Between these two things – the background and the unspoken – we do our best to do the guessing that Machado encourages.

*manzananza*

*manzananza*

In the poem below, Jay Leeming takes an everyday thing – in this case, an apple – and pushes it into dream.  The image of the apple’s core as a “little room” is a guess towards what the act of eating an apple suggests beyond the everyday.  You get the usual connotations of Adam and Eve, the Fall – but there’s something more to it.

The turn for me here is at the end, how the poem leaves you with enough image to keep on talking inside of you.  Just watch what happens when you get to the powerful compound word “tear-shaped.”

Apple – Jay Leeming **

Sometimes when eating an apple
I bite too far
and open the little room
the lovers have prepared,
and the seeds fall
onto the kitchen floor
and I see
that they are tear-shaped.

***

Happy appling!

Jose

p.s.  Jay Leeming is also the editor of Rowboat: Poetry in Translation, a great journal you can find out more about here.

* photo found here.

** published in the book Dynamite on a China Plate, The Backwaters Press.

* cynicism via Adam Levine & Philip Larkin

This show changed my life.  I was a cynic.  It brought back the joy…
(Adam Levine)

*at cynics not-so-anonymous*

*at cynics not-so-anonymous*

This week on the Influence: Philip Larkin!

FIRST, though, a confession: I watch The Voice.  There I said it.

Sharing this information in a public forum is tough.  Indeed, admitting what T.V. shows one indulges in can be as nerve-wracking and potentially embarrassing as…uhm, I don’t know – writing poetry.

Growing up in Texas, some of my homeboys back in the day didn’t take kindly to my versifying ways (I say it this way because it wouldn’t be polite of me to share exactly what they said of my ambitions to be a poet).

And yet I forged on – not out of any well-thought out conviction that I had been born with a direct line to the Muse – I forged on out of a sheer inability to do anything else but forge on.

It is this reflex, this connection that cannot be denied, that gets me to the page each day.  This reflex has its roots down where everything I enjoy resonates – from what I eat to what I read – and, yes, what I watch on T.V.

What moves me about Adam Levine’s words above is that simple admission: that he was a cynic.  One spends years entrenched in an art and risks slowly growing competitive and desensitized, unwilling to see beyond the niche one works out of.  One must seek ways to push beyond such limits, experiences that bring back the joy of what you do, that bring you back to why you do it.

Nothing beats finding a new writer you enjoy – someone who raises the temperature in the room you’re in, that has you smiling despite yourself as you read each incredible, engrossing word.

Afterwards, you judge.  You gauge how good it is against what you see as better.  You go back to your page to catch up, to outdo.  But for awhile there, you simply read.

Watching Adam Levine & co. listen to music and talk about it passionately has taught me a lot about humility and generosity.

Across the Street

Philip Larkin, too, has been a model for humility.

His poem “This Be the Verse” is infamous for its bitterness and warning against ever becoming a parent.  He HATED this poem being what most people recalled when his name was brought up.  While being popular, he felt it also made him seem less serious.  People often miss when the bitterness gives way.  He was a man of strong opinions – who knew what he liked – and it is that strength and nerve that guided the many illuminating and well-crafted poems he left us.

Here’s another poem about “mum and dad.”  I love how it leaves you at that moment of not understanding something fully but feeling it.

Ultimately, what we like is what we feel.

***

Coming – Philip Larkin

On longer evenings,
Light, chill and yellow,
Bathes the serene
Foreheads of houses.
A thrush sings,
Laurel-surrounded
In the deep bare garden,
It’s fresh-peeled voice
Astonishing the brickwork.
It will be spring soon,
It will be spring soon –
And I, whose childhood
Is a forgotten boredom,
Feel like a child
Who comes on a scene
Of adult reconciling
And can understand nothing
But the unusual laughter,
And starts to be happy.

***

Happy starting!

Jose