* Donald Justice & the friday influence

The Assassination – Donald Justice

It begins again, the nocturnal pulse. 
It courses through the cables laid for it. 
It mounts to the chandeliers and beats there, hotly. 
We are too close. Too late, we would move back. 
We are involved with the surge. 

Now it bursts. Now it has been announced. 
Now it is being soaked up by newspapers. 
Now it is running through the streets. 
The crowd has it. The woman selling carnations 
And the man in the straw hat stand with it in their shoes. 

Here is the red marquee it sheltered under. 
Here is the ballroom, here 
The sadly various orchestra led 
By a single gesture. My arms open. 
It enters. Look, we are dancing.

(June 5, 1968)

***

*carnations*

This week on the Influence: Donald Justice.

Picked up the poem above from reading through John Drury’s Poetry Dictionary.   The assassination in the poem is that of Robert Kennedy’s in 1968.

Drury places the poem in the chance poetry category.  In writing this poem, Justice wrote words on cards and picked them out at random as he wrote.

I sense some of the risk-taking of this practice in the “charged” words of the first stanza, and in the phrase “soaked up by newspapers” in the second.  It’s only a guess, but on my third reading of the poem, the phrase struck me as masterfully plucked from its context of what to do about a spill and given a new life in this poem.

I am moved by the menace and epic feel achieved in the indirect take on the subject.  Here you have a poem about a political misfortune that delves into the human aspect of it – how news travel into our lives.  I noted on each rereading of the poem how the word “it’ becomes sinister and carries the emotion of the poem to the end.  The end itself drives home a sense of mortality, of interrupted life.

On a lighter note: the carnations are brought to you courtesy of last week’s birthday celebration.

Bought them on the fly before dinner.

***

Also: I have two poems in Turn, an anthology of poems about seasons put out last month by Uttered Chaos Press.  Copies can be purchased on the Uttered Chaos website here OR on Amazon here.  Special thanks to UC editor Laura LeHew.

***

Happy uttering!

Jose

* Robert Hayden & the friday influence

Those Winter Sundays – Robert Hayden

Sundays too my father got up early

and put his clothes on in the blueblack cold,

then with cracked hands that ached

from labor in the weekday weather made

banked fires blaze. No one ever thanked him.

 

I’d wake and hear the cold splintering, breaking.

When the rooms were warm, he’d call,

and slowly I would rise and dress,

fearing the chronic angers of that house,

 

Speaking indifferently to him,

who had driven out the cold

and polished my good shoes as well.

What did I know, what did I know

of love’s austere and lonely offices?

***

This week on the Influence – Robert Hayden!

*the man*

*the man*

This poem gets a lot of love – on the internet, in anthologies, in classes – and deserves every bit of it.

I opened up my reading this past Tuesday with this poem, reciting it from memory.  It is one of those poems I’ve carried close to me for years now.  The poem never stops teaching me something.

Here’s what I said about it at the reading:

This poem opened up a lot of doors for me.  It is a poem of presence: blue black cold – splintering breaking – there is presence in the very sounds!  But the poem ends with that question – What did I know, what did I know… and that question comes from a place of absence.  The origins for my book The Wall started from a similar absence, from not knowing my father at all growing up because he died when I was six and spent most of those last years in prison.  The poems start from absence – like a blank page, and the poems fill it up.

This week was a big week for me – I don’t get them often.

Thank you to everyone who was a part of it.

See you next Friday!

Jose

p.s. A little more love for Hayden from the Poetry Foundation can be found here.