* hoping with kay ryan

Crown – Kay Ryan

Too much rain
loosens trees.
In the hills giant oaks
fall upon their knees.
You can touch parts
you have no right to—
places only birds
should fly to.

* flight *

* flight *

As August comes to an end, I begin to reflect on the end of summer – or, rather, the ending of summer. Perhaps it takes being born in the summer to be sensitive to the days beginning to grow shorter, even by minutes. Or maybe that’s just a kind of idealistic hope of my own. My world’s been pretty rich this summer, good and bad. Through it all, I am happy to report hope keeps winning out, idealistic or otherwise.

Kay Ryan’s work has always struck me as full of a similar kind of hope. A kind of stubborn and willful hope played out in phrasing and what she terms “recombinant rhyme.” The poem above models this willfulness with grace; the poem below has a tone steeped in struggle. Enjoy!

A Certain Kind of Eden – Kay Ryan

It seems like you could, but
you can’t go back and pull
the roots and runners and replant.
It’s all too deep for that.
You’ve overprized intention,
have mistaken any bent you’re given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them—
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.

***

Happy kinding!

José

* Kay Ryan chills on the friday influence

Say Uncle – Kay Ryan

Every day

you say,

Just one

more try.

Then another

irrecoverable

day slips by.

You will

say ankle,

you will

say knuckle;

why won’t

you why

won’t you

say uncle?

***

This week on the Influence: Kay Ryan.

When I go back to this poem, I’m always taken in by the speed of it.  It is deceptive how short the poem is because of how much is in it – humor, rhyme, a certain emotional urgency that I can’t after years of reading the poem seem to find a source for.

It’s just there.

In the tight lines, in the way the word “irrecoverable” takes up its own line and damn you can feel the weight of loss in one word, one word long and wide like open arms.

When asked why she avoids the self-revealing emotions typically identified with contemporary poetry, she responded: If you put ice on your skin, your skin turns pink. Your body sends blood there. If you think about that in terms of writing, cool writing draws us, draws our heat. *

Words like ice.  Nice.

cubes…for now.

***

Here’s one more by Ryan:

Atlas – Kay Ryan

Extreme exertion

isolates a person

from help,

discovered Atlas.

Once a certain

shoulder-to-burden

ratio collapses,

there is so little

others can do:

they can’t

lend a hand

with Brazil

and not stand

on Peru.

***

Happy standing!

J

***


* great interview!  http://www.theparisreview.org/interviews/5889/the-art-of-poetry-no-94-kay-ryan