poet as instagram photo dump

There’s this practice on Instagram where people do a “photo dump” which has them sharing a random hodgepodge of recent pics. Please consider this post as a blog version of that. Am slowly relearning my voice here. More reviews coming, and other things as well 🙂

Photo by JJ Jordan on Pexels.com

The influence here, at least for this post, is a series of tabs that I’ve kept open for more months than I care to admit, all things that I’ve been meaning to share on here. Hope this makes sense, haha.

Without further ado:

  • Been late on sharing news of some of my former students: First, there’s N.K. Bailey, a PNW poet, who published a chapbook, A Collection of Homes with Bottlecap Press. Bailey is a dynamic poet whose work is intimate and imaginative.
  • Also, I’m proud to have worked with Sarianna Quarne last fall on her honors creative thesis, the poems of which are featured in her self-published chapbook, Church Confessional Booth, which can be read for free on her site. Quarne’s work often uses the image as a jumping off point for charged, lyric meditations.
  • Also, also: I’m happy to share that I recently had an essay of mine published in Bert Meyers: On the Life and Work of an American Master which is part of The Unsung Masters Series from Pleiades Press. I’ve written about Bert Meyers for a number of years on the Influence. Glad to have worked out this memory and experience with Meyers’ work! Thank you to Dana Levin and Adele Elise Williams for the opportunity and for being great to work with!
  • Lastly, here is a collection of clips of me reading in various spaces:

I realize that’s a lot of clips at the end, here’s the link to my YouTube channel in case you’d like to save that to check them out later.

Alright, more content coming soon, as long as it makes me content, haha.

If you even just read this, thank you!

Abrazos,

José

writer feature: Amanda Galvan Huynh

This week I’d like to celebrate the debut poetry collection of stellar poet and friend, Amanda Galvan Huynh: Where My Umbilical Is Buried (Sundress Publications).

I’ve admired Galvan Huynh’s work on and off the page for some time now. She’s a committed Xicana educator as well as an editor, alongside Luisa A. Igloria, of the essay collection Of Color: Poets’ Ways of Making :: An Anthology of Essays on Transformative Poetics.

I had a chance to read the collection and provide a blurb. Here’s what I wrote:

“From the title, Where My Umbilical Is Buried, Amanda Galvan Huynh invites readers to engage with the metaphor and image rich sensibility that drive the poems within. From the roads, nights, and fields where memory lies ‘buried’ under the sounds of voices whispering, Coke tab bracelets jangling, and cumbias, these poems grow and flourish into a lyric gift, an expression of affirmation and presence for gente y familia—the living, the dead, as well as who we must be in between.”

—José Angel Araguz, author of Rotura

To get a sense of the dynamic range of the collection, check out these two poems published originally in Up the Staircase.

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Copies of Where My Umbilical is Buried can be purchased from Sundress Publications.

To read more of Amanda Galvan Huynh, check out her website.