* mirroring & anthilling with garcía lorca

This week’s poem is a translation of a short lyric from Federico García Lorca’s Suite de los Espejos (Suite of the Mirrors). Reading through the suites, I was impressed again and again by García Lorca’s facility to estrange us from the everyday world, only to bring us back. His lyrics are infused with a purposeful sense of shock.

This particular poem hooked me in my first reading with its closing lines:

Me veo por los ocasos,
y un hormiguero de gente
anda por mi corazón.

(I see myself through the sunsets,
and an anthill of people
marches through my heart.)

Even in the brief space of three lines, this travel between something outside of human experience and something within it (in our very chests, to be exact) is enacted through the blended images of sunsets/anthill/people/heart. It’s something that moves beyond metaphor into an almost physical reaction while reading.

What fascinated my as I translated was the way the “mirror” theme of this specific suite leads up nicely to this ending. Through a series of questions with no answers, García Lorca develops a lyric uncertainty, only to push it further as the poem develops: …are you you / or am I me? the speaker asks, only to follow it up with a question regarding hands. It is to this physical point that the poem has led us: questions about the heart and thoughts and even stars have spiraled down to more intimate, physical terrain. With this set up, the poem tips into its final imagery as if tipped over by hand.

Stumpwork_mirror_frame_c._1630s

Confusion (from Suite of the Mirrors) – Federico García Lorca
translated by José Angel Araguz

My heart –
is it your heart?
And who reflects my thoughts?
Who lends me
this passion
without roots?
Why does my suit of colors
keep changing?
Everything is at a crossroads!
Why do you see in the sky
so many stars?
Brother, are you you
or am I me?
And these cold hands,
are they from that one?
I see myself through the sunsets,
and an anthill of people
marches through my heart.

*

Confusión (from Suite de los Espejos) – Federico García Lorca

Mi corazón
¿es tu corazón?
¿Quién me refleja pensamientos?
¿Quién me presta
esta pasión
sin raíces?
¿Por qué cambia mi traje
de colores?
¡Todo es encrucijada!
¿Por qué ves en el cielo
tanta estrella?
¿Hermano, eres tú
o soy yo?
¿Y estas manos tan frías
son de aquél?
Me veo por los ocasos,
y un hormiguero de gente
anda por mi corazón.

*

Happy espejando!

José

 

* Francisco X. Alarcón: poem & review

* canto hondo *

* canto hondo *

Happy to share my latest review for the Volta Blog: a meditation on Francisco X. Alarcón’s latest collection, Canto Hondo. In my review, I discuss Alarcón’s engagement with Federico García Lorca’s ideas on cante jondo (deep song). Alarcón delves into García Lorca’s homage to his Andalusian influences to create his own deep song tempered by his own distinct poetic line, a line I describe as being “as alive and intimate as a nerve or a gasp.”

The review may be read here.

To get a sense of what I mean by the above, I’ve chosen this week’s poem from Alarcón’s From the Other Side of Night/Del otro lado de la noche (University of Arizona Press). Following the poet’s line breaks, I like how the reader is invited into the thought and experience of each stanza. I’m also moved by the choice of moving from a four-line stanza to a three-line stanza, right at the line “…you’re home’s/nowhere -.” This change in form mirrors a change in the drama and tone of the poem; the stanzas that follow put forth their own hope and response to the dilemma of “those who have lost everything.”

Enjoy!

To Those Who Have Lost Everything – Francisco X. Alarcón

crossed
in despair
many deserts
full of hope

carrying
their empty
fists of sorrow
everywhere

mouthing
a bitter night
of shovels
and nails

“you’re nothing
you’re shit
your home’s
nowhere”—

mountains
will speak
for you

rain
will flesh
your bones

green again
among ashes
after a long fire

started in
a fantasy island
some time ago

turning
Natives
into aliens

 ***

Happy amonging!

José