* in memory of francisco x. alarcón

The X in My Name – Francisco X. Alarcón

the poor
signature
of my illiterate
and peasant
self
giving away
all rights
in a deceiving
contract for life

alarcón4The death of Francisco X. Alarcón earlier this month has been on my mind as I wrap up my 3rd year reading and work through exams this week. Reviewing his book, Canto Hondo/Deep Song was a revelatory experience for me. Through following and engaging with Alarcón’s singular minimalist poetics, I learned a lot about precision with the line as well as how much weight can be carried via emphasis. But it was his commitment to representing and singing for those who suffered that moved me the most.

His death remains a constant source of conversation in the Latin@ literary community, mourning and celebration following each other in a complex cycle that would’ve pleased el maestro. As shown in the poem above, Alarcón was well aware of the contradictions to be worked with in being a Chicano; even an X in a name can be a metaphor for the multifaceted tension of identity and self.

I write this post the night before my final 3rd year exam. Diving into my own sense of tradition and identity in Latin@ poetics has been an emotional journey. I have had great community throughout – from my CantoMundistas, to readers of my poems and books, as well as those of you who stop and read these Influences. Thank you. Thank you as well to the great teachers I’ve had, in the classroom and on the page.

“Mexican” Is Not a Noun – Francisco X. Alarcón

  to forty-six UC Santa Cruz students and
   seven faculty arrested in Watsonville for
   showing solidarity with two thousand
   striking cannery workers who were mostly
   Mexican women, October 27, 1985

“Mexican”
is not
a noun
or an
adjective

“Mexican”
is a life
long
low-paying
job

a check
mark on
a welfare
police
form

more than
a word
a nail in
the soul
but

it hurts
it points
it dreams
it offends
it cries

it moves
it strikes
it burns
just like
a verb

*

Happy verbing!

José

p.s. Here is Rigoberto González’s tribute to Alarcón.

* celebrating with sei shonagon & yahia lababidi

In celebration of the release of my digital chapbook, The Book of Flight (Essay Press), this week’s Influence will be focused on work that I feel is in spirit with the project.

Hyakuninisshu_062First up is Sei Shonagon, who I wrote about in October. I had reason to return to her lists in The Pillow Book recently, and continue to marvel at the surprise-charged prose:

16. Things That Make One’s Heart Beat Faster

Sparrows feeding their young. To pass a place where babies are playing. To sleep in a room where some incense has been burnt. To notice that one’s elegant Chinese mirror has become a little cloudy. To see a gentleman stop his carriage before one’s gate and instruct his attendants to announce his arrival. To wash one’s hair, make one’s toilet, put on scented robes; even if not a soul sees one, these preparations still produce an inner pleasure.

It is night and one is expecting a visitor. Suddenly one is startled by the sound of raindrops, which the wind blows against the shutters.

The cumulative effect of sensory details is at turns charming and striking. It becomes a matter of where the writer leaves you: When the “wind blows against the shutters” it takes one’s breath as well as the narrative away.

signpostsAnother writer whose work has meant more and more to me in the past few months is Yahia Lababidi. Here’s a sample from his collection, Signposts to Elsewhere: aphorisms & other tailored thoughts:

The personal made universal is art’s truth.

Impulses we attempt to strangle only develop stronger muscles.

The irony of the writer is that of a private person in a public profession.

Venom poisons most the people who carry it.

What I see as the “tailoring” of the aphorisms and thoughts in this collection is something akin to a fingerprint. Throughout, Lababidi does a great job of tempering the didactic and distant nature of the aphorism with a bit of down to earth humor and wisdom.

Here’s another sample:

Dreams: what get us through the night, and oftentimes the day.

Tattoo: graffiti on a masterpiece.

Disgust can be constructive as a spark igniting transformation.

It is not lovers who compose poetry, but Love.

This last line especially speaks to me about the nature of what it means to be a writer, that there is a purpose beyond ink on page at practice through us.

Thank you to everyone who has reached out with kind words about The Book of Flight (available for free online)! Thank you also to everyone who has shared their thoughts about Everything We Think We HearIt’s been a big couple of months for me. Thank you for reading, y’all!

Happy tailoring!

José