* souling with charles wright

August always has me revisiting Charles Wright’s work as well as the work of other August babies like me.

This week’s poem is from his book Sestets in which he does marvels six lines at a time. Here, he takes us from a sunset sky to an implication of the soul as a canary and the body as “underground.” All the while, the lyric is suspended in an intimate, almost conspiratorial tone.

* soulful *

* soulful *

Yellow Wings – Charles Wright

When the sun goes down – and you happen to notice it –

And the sky is clear, there’s always a whitish light

edging the earth’s offerings.

This is the lost, impermanent light

The soul is pulled towards, and longs for, deep in its cave,

Little canary.

This is the light its wings dissolve in

if it ever gets out from underground.

***

Happy getting!

Jose

p.s. In coming up with the title of this week’s post, I came across an actual practice referred to as “souling,” a medieval belief “that for every piece of bread given to the poor a soul could be redeemed from the fire of Hell.” Read more from the site that schooled me here.

* contemplating one-sidedness via bill knott

This week’s poem is another gem from Bill Knott.

I’m always happy to run into poems that take on an overlooked part of life and refresh it, make it new by simple acknowledgement. In the case of Knott’s poem “Paradise,” the act of reading a book with facing translations is blown up for the meeting of worlds and circumstances that it is. The choice of words to describe what he terms “Righthandland” – gutter, damned, pulp, tongue – and what it means to dwell as a reader in one language with only glimpses of the original is spot-on. Enjoy!

* the music facing *

* notes from Lefthandland *

Paradise – Bill Knott

Always reading the recto
translation of a verso
original, my eye fades.
I notice how the paper
here on this side seems
darker than its opposite:
it is brighter over there
on the lefthand page, the
words of the real poem
give it that glow which
the prized act of creation
emits.  We who must live
here in Righthandland
are damned no matter
how hard we try to rhyme
minds with that perfect
realm across the gutter.
Even if our pulp comes
from the same stock,
we fear closing the book
will bring us face to face,
mouth to mouth with
that tongue we’ve always
lost, and can never kiss.

***

Happy nevering!

Jose