* the 200th post: a cento

Well, it had to happen: we’ve reached the 200th post on this blog!

To celebrate, I decided to create a cento – a patchwork poem made by selecting lines from other people’s poems to create a singular poem (citing one’s sources, of course) – by going through all the posts published since I started this blog and selecting a line from every 10th post.

200 posts = 20 lines!

Eek!

* a mouse *

* a mouse *

Some finer points:

To stick strictly to the every 10th post guideline, I did find myself snatching a snippet or two from a post that had no poem in it. So a “line” was taken from a paragraph or two.

I’m happy to only end up in the piece a handful of times (and with good company, no less 🙂 ).

Also: I had a lot of fun putting this together. Blogging can feel like a mess sometimes, but the accumulative effect is fun. Approaching past posts for the archival potential was inspiring.

And then there’s all you good people who stop by, read, and comment! More than anything, I am humbled by the community this blog has put me in touch with. I started this off as a reader’s blog, and I’m happy to have a forum to share not only my own work but work that illuminates my world and that I hope illuminates yours. Thanks!

Cento for the 200th post

I must learn from the stars
To find out if I might love.
Under these, under our skies.
the colors of my living
will sometimes waft between my lashes
This unwelcome act of reducing
On those nights, the poet can say they tried, and did well.
to fall asleep
“I’m so tired of driving into the sky.”
I would like to step out of my heart
stumble, welcomed each day by
Horses down in the meadow, just a few degrees above snow.
instead of frost, and the tension I felt
selected to be
something imagined, not recalled?
rigid edges and all, and lines still show up
Under a cavernous, a wind-picked sky.
They slept just like the rest of us,
like sunken leaves in a pond,
quoted in the margins

***

Happy quoting!

Jose

p.s. Sources for the Cento:

  1. Evening on the Farm – Bert Meyers
  2. Brown Penny – WB Yeats
  3. Willow – Anna Akhmatova
  4. XIX (from The Wall) – Jose Angel Araguz
  5. An Umbrella from Piccadilly – Jaroslav Seifert
  6. Onions – Jose Angel Araguz
  7. “on poetry readings” TFI post 2/15/13
  8. The Devil on His Wedding Night – Jose Angel Araguz
  9. “from the car: verse & such” TFI post 6/7/13
  10. Lament – Rainer Maria Rilke
  11. “Dog-eared” – Jose Angel Araguz
  12. On the Night of the First Snow, Thinking About Tennessee – Charles Wright
  13. Prosody 101 – Linda Pastan
  14. “quick post: CantoMundo news!” TFI post 3/19/14
  15. Epilogue – Robert Lowell
  16. If They Hand Your Remains to Your Sister in a Chinese Takeout Box — Jamaal May
  17. Sad Steps – Philip Larkin
  18. Going Home – Phoebe Tsang
  19. A Winter Night – Tomas Tranströmer
  20. Evening in Matamoros – Jose Angel Araguz

* sentimentality via mary ruefle & hart crane

I revisited this week’s poem – Hart Crane’s “Chaplinesque” – this summer reading through Mary Ruefle’s “Madness, Rack, & Honey.” In the book, she points to the sentimentality of the poem, how it makes the campy humor of Chaplin and the image of a kitten and raises them to their proper place, which is simply a place of consideration. That each of us here simply to be seen and heard.

On the technical side, Crane’s always up to something metrically. Here, I like how he sneaks in a six beat line into every stanza except for the first and last, the mix of rhythms evoking Chaplin’s signature walk a bit.

(Spooky and coincidentally: Ruefle and Chaplin share the same birthday).

Later in the same essay, she states that if someone says your poem is sentimental, it probably means it isn’t sentimental enough. Committing to that impulse and seeing sentimentality through to what’s at stake is the challenge. And the only way to see and hear one’s self.

* liked the poem til I pointed out the thing about the meter *

* liked the poem til I pointed out the thing about the meter *

Chaplinesque – Hart Crane

We make our meek adjustments,
contented with such random consolations
as the wind deposits
in slithered and too ample pockets.

For we can still love the world, who find
a famished kitten on the step, and know
recesses for it from the fury of the street,
or warm torn elbow coverts.

We will sidestep, and to the final smirk
dally the doom of that inevitable thumb
that slowly chafes its puckered index toward us,
facing the dull squint with what innocence
and what surprise!

And yet these fine collapses are not lies
more than the pirouettes of any pliant cane;
our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
what blame to us if the heart live on.

The game enforces smirks; but we have seen
the moon in lonely alleys make
a grail of laughter of an empty ash can,
and through all sound of gaiety and quest
have heard a kitten in the wilderness.

***

Happy sentimenting!

Jose