* quick update

Hey y’all!

Just a quick post to announce an upcoming reading:

Tuesday, February 19th

5:30pm

@ the Eugene Public Library

I will be reading alongside fellow Eugene writer Eliot Treichel.

It will be my first official reading for my chapbook, The Wall.  I look forward to putting some of these poems in the air.

For more info on the reading, please check out the Lane Literary Guild’s website here.

I’ll post more updates on prep for the reading as it gets closer to the date.

***

In other news,  I cut my hair.  Check it out:

nothing's wrong - I'm shorn...

nothing’s wrong – I’m shorn…

You can’t really see it well cuz I’m scared to take a photo.  I haven’t rocked a goatee in a minute either.  We’ll see how long this lasts.

Please note: that IS my writing blanket on my shoulders there.

Ani knit it last summer as a sort of lap blanket.

I, being twelve, wear it across my shoulders like a cape.

So I guess I have a writing cape.

This way I feel like I’m fighting crime when I submit poems.

I am the goddamn poet!!!

Peace,

jose

* Phil Levine & the friday influence

This week on the Influence: Philip Levine.

When I read the following poem to Ani she picked up on something I did not when I first read it four years earlier: that it takes place in Spain.  This makes sense seeing as Phil Levine has spent much time in Spain and written often on the poets who suffered and survived in the Spanish Civil War.

Having herself spent time there, Ani spoke of the place in the poem as if she had been there, the way one does in the light of experience.

This is the world…  Indeed!

What moves me still about the poem is the scope of human understanding, how much gets put into the poem, and yet it is only one man’s glimpse, as fleeting and unknowable even now.

the *photo* of time

the *photo* of time

The Music of Time – Philip Levine *

The young woman sewing

by the window hums a song

I don’t know; I hear only

a few bars, and when the trucks

barrel down the broken street

the music is lost.  Before the darkness

leaks from the shadows of

the great Cathedral, I see her

once more at work and later

hear in the sudden silence

of nightfall wordless music rising

from her room.  I put aside

my papers, wash, and dress

to eat at one of the seafood

places along the great avenues

near the port where later

the homeless will sleep.  Then I

walk for hours in the Barrio

Chino passing the open

doors of tiny bars and caves

from which the voices of old men

bark out the stale anthems

of love’s defeat.  “This is the world,”

I think, “this is what I came

in search of year’s ago.”  Now I

can go back to my single room,

I can lie awake in the dark

rehearsing all the trivial events

of the day ahead, a day that begins

when the sun clears the dark spires

of someone’s God, and I waken

in a flood of dust rising from

nowhere and from nowhere comes

the actual voice of someone else.

***

Happy nowhereing!

jose

* from Phil Levine’s News of the World.