rad Wallace Stevens

This week’s poem – “The House Was Quiet and The World Was Calm” by Wallace Stevens – takes me back to a conversation I had with a co-worker when I worked at a bookstore years ago. I had been arranging the poetry section for National Poetry Month and positioning a Wallace Stevens book to face out from a eye-level shelf. My co-worker happened to pass by and say: Stevens! Cool! I know one poem by him. “The House Was Quiet and The World Was Calm.” It’s rad!

I hadn’t read the poem but I was intrigued, as Stevens is often not the easiest person to follow line by line. Not that I didn’t think my co-worker incapable of following a Stevens poem, but rather that a conversation about Stevens, for me, usually brings in difficulty, his use of ambiguity and lyrical obfuscation, and the way you have to work at following what he has to say. At least that’s been my experience. I usually tell folks that I’ve picked up and put down Stevens’ Collected Poems three times in my life, each time getting a little farther into it, before moving on, not defeated just knotted with questions. And yet, getting through more and more poems of his continues to be a rich experience.

bookstore_eugene_oregonWhen I finally read the poem below, it was a double surprise. Not only is it a poem that feels like looking through a beam of light – the clarity of the language and meta-thought is such that I immediately doubted my ability to follow what was being said – but the subject of the poem at the end, the way it honors the reading act, makes it an apt poem to be shared between bookstore employees. I mean, our living was made around reading.

I suppose this post is less about the poem but more about reading acts and reading experiences shared. As this blog began as an effort to share my own reading experiences, it’s nice to come back to those roots as dwell a bit on how they’ve been inspiring me throughout my life. Whether you find the poem below “rad” or not, see what you catch of it. See what you “become” and what becomes of you in the process.

The House Was Quiet and The World Was Calm – Wallace Stevens

The house was quiet and the world was calm.
The reader became the book; and summer night

Was like the conscious being of the book.
The house was quiet and the world was calm.

The words were spoken as if there was no book,
Except that the reader leaned above the page,

Wanted to lean, wanted much most to be
The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.
The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:
The access of perfection to the page.

And the world was calm. The truth in a calm world,
In which there is no other meaning, itself

Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.

from Collected Poems (Vintage)

* elsewhere with amy gerstler

 

I don’t remember when exactly I learned the word “engrossed” but it quickly became associated with the act of reading. When I worked at bookstores, engrossed is what people became when they found themselves not just leafing through but reading a book. All small talk and random gazing ceased; all thoughts of good posture thrown out the window. I know I myself have sat/stood/squatted/knelt in all sorts of manners, all because a page has taken all my attention. This is when literature becomes virtual reality, when it takes you as a reader to other places. It’s not escapism, more an activity of elsewhere.

bookstore_eugene_oregonThis elsewhere territory is exactly the terrain explored in this week’s poem “Dear Reader,” by Amy Gerstler. Through a series of questions, Gerstler undergoes a meditation on the space one enters when reading. The choice to form the narrative around questions compliments the imaginative work involved in reading. The questions also take the attention off the speaker, while simultaneously and indirectly giving us much of the speaker’s character. When the speaker does finally ground the narrative in themselves, it comes as a pleasant glimpse into another life.

*

Dear Reader, – Amy Gerstler

Through what precinct of life’s forest are you hiking at this moment?
Are you kicking up leaf litter or stabbed by brambles?
Of what stuff are you made? Gossamer or chain mail?
Are you, as reputed, marvelously empty? Or invisibly ever-present,
even as this missive is typed? Have you been to Easter Island? Yes?
Then I’m jealous. Do you use a tongue depressor as bookmark?
Are you reading this at an indecent hour by flashlight?
plenty of scholarly ink has been spilt praising readers like yourself,
who risk radical dismantling, or being unmasked, by rappelling
deep into sentences. Your trigger warnings could be triggered every
second, yet you forge on, mystic syllables detonating in your head,
the metal-edged smell of monsoon-downpour on hot asphalt
raising steam in your imagination. You hold out for the phrase
with which the soul resonates, am I right? Reading, you’re seized
by tingly feelings, a rustling in the brain, winds that tickle your scalp,
bubbles erupting from a blow hole at the back of your neck.
You forget the breathy woman talking softly on TV across the lobby
(via TiVo you’ve saved her for later.) Birds outside are cracking jokes
and cackling. Reader, smile to yourself, rock the cradle, kiss
everyone you wish to kiss, and please keep reading. It beats
fielding threatening phone calls for $15 an hour which is what
yours truly is meant to be doing right now, instead of speculating
on the strange and happy manifestations of, you, dear reader, you.

*

Happy reading!

José

p.s. For further “engrossment” here’s my poem “Engrossed” published at Qu Literary Magazine.