in memory: Alfonso M. Gomez

Poetry’s ability to connect with us in essential ways cannot be stressed enough.

This is a sentiment I share on a regular basis in my teaching and conversations with writers. As much as I repeat it, I can’t claim it. What I can claim is the evidence that fills my life and the connections my life is blessed with through the work of poetry.

This week, I dedicate this post to the memory of Alfonso M. Gomez, father of friend and great poet, Rodney Gomez. I have admired Gomez’s work for years now (here’s another point of connection and another). I have shared his work in classes at both the undergrad and grad level (his “Our Lady of San Juan” is one in particular that keeps teaching me). He has also been kind to my work as well.

Along with poetry, we share South Texas between us. Much of my childhood was spent with driving from Corpus Christi to Matamoros, often stopping to visit folks in Brownsville, where Rodney himself was born and raised. Through South Texas, we have mesquite trees and hot summers and community forged through a mix of perseverance, hard work, and hope. Now, we are connected in absence.

Life in the pandemic has made it hard for me to reach out to everyone I would like to when I would like to. I saw news of Rodney’s father passing online and sent my condolences to him. When Rodney later shared the art piece below, which he said was inspired by my poem “Scripture: Hour,” it is not enough to say I was moved. I felt seen. This particular poem–one of a sequence of poems that engages with how little I know of my own father’s death, down to not knowing what day he died–was a hard fight to get right.

“Right.” Not sure what I mean by that. I do know that I wanted those flies in there to keep moving beyond me. Then years later, to have them visualized like this by another poet. Well, damn. It’s an honor to connect. to have one’s work read, and to have insight into how others see it. As much as I make a life out of words, I cannot stress how important, how precarious, yet how necessary connection is.

To all of you affected by the pandemic, by life itself, I wish you kindness and strength.

To Alfonso M. Gomez, I wish rest. ¡Presente!

An art interpretation by Rodney Gomez of a poem by José Angel Araguz

writing prompt: predictive text

Back to teaching full time this week. Been exciting and inspiring, while at the same time very real. What I mean is that the more I teach, the more I feel myself be more myself. And it’s not a thing I can summon or call forth. The space held in shared open questioning and conversation calls it forth.

Tangentially connected, at one point this week I watched this interview and supplemental writing “exercise” clips between Trevor Noah and Amanda Gorman that are illuminating. In the interview, Gorman speaks of poetry as water, a way to “re-sanctify, re-purify, and reclaim” the world around us. Her inaugural poem, “The Hill We Climb,” and its consequent impact on our American conscience at this moment in time are a solid gesture and step in the direction of this work.

In the second clip, Noah and Gorman engage in a predictive text writing exercise. It’s the kind of thing I see on Twitter sometimes and can’t help but join in on. Engaging directly and purposefully with predictive text can at times feel like having an echo of your latest obsessions as well as the way you articulate yourself in daily life cast back at you. Sometimes the screens in our hands look back, yo.

Noah and Gorman’s parameters were to start with the word “Roses” and limit themselves to 15-20 words. I went ahead and tried a few of my own. Feel free to share in the comments should you try this out yourself 🙂

Photo of roses by Aleksandar Pasaric

exercises in predictive text

Roses and the other one of my friends that I nominated for an oppositional the same situation that is

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Roses are you doing well today so much going to congratulate someone to take care if you have a great weekend

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Roses and I have a few things I would do anything to make sure you got the most important part