testamenting with Carolyn M. Rodgers

Over the summer, I got a chance to add to my forthcoming poetry collection, An Empty Pot’s Darkness, which will be published in 2019 by Airlie Press. This book is an expansion of my chapbook Corpus Christi Octaves (Flutter Press) and its series of lyric sequences about two late friends from my hometown in Texas. This new collection builds on the theme of mortality, the latest addition being a “testament” poem.

testamentTestament poems tend to be a mix of a poet’s last will in verse (a la Francois Villon) and a catalogue of wishes and hopes (a la Pablo Neruda). This particular mode of lyric meditation, for me, ended up feeling expansive. I was surprised by how I ended up writing less about the life live and more about the act of writing as living and survival.

I see a similar emphasis on survival in the poem below by Carolyn M. Rodgers. The poem begins by immediately departing from the testament’s focus on the self and instead addressing the poem to another. By doing so, connection becomes part of the survival act. The poem moves in its declarations and images of hardship, creating a narrative that reaffirms life through active survival. Speaking of how “we can stand boldly in burdening places (like earth here),” Rodgers honors this survival as the undeniable fact of who we are. 

Testament – Carolyn M. Rodgers

child,
in the august of your life
you come barefoot to me
the blisters of events
having worn through to the
soles of your shoes.

it is not the time
this is not the time

there is no such time
to tell you
that some pains ease away
on the ebb & toll of
themselves.
there is no such dream that
can not fail, nor is hope our
only conquest.
we can stand boldly in burdening places (like earth here)
in our blunderings, our bloomings
our palms, flattened upward or pressed,
an unyielding down.

from The Heart as Ever Green (Anchor Press)

birding with Edward Hirsch

This week’s poem – “Branch Library” by Edward Hirsch – takes me back to being a kid getting dropped off at the Greenwood Library in Corpus Christi, Texas (an experience I recently wrote a short essay about). Those early experiences of wandering stacks are with me in some small part to this day as I walk around a library or bookstore.

bird-sketch-1517679561sj1Along with this personal connection, Hirsch’s poem moves me for the way it braids together a variety of wordplay. From the play on “branch” as both the specific locale of the title to the poem’s riffing on bird language, there is a purposeful cleverness at work. What this levity does for the poem is give it an imaginative momentum that keeps over-seriousness and sentimentality from taking over by bringing them together directly. The earnest love of books and language meets the bird imagery and metaphor to evoke the exhilaration of the speaker’s younger self.

Through this braiding and inventiveness, Hirsch’s poem takes the reader along for the search for a younger self, a search that is a wonder in itself.

Branch Library – Edward Hirsch

I wish I could find that skinny, long-beaked boy
who perched in the branches of the old branch library.

He spent the Sabbath flying between the wobbly stacks
and the flimsy wooden tables on the second floor,

pecking at nuts, nesting in broken spines, scratching
notes under his own corner patch of sky.

I’d give anything to find that birdy boy again
bursting out into the dusky blue afternoon

with his satchel of scrawls and scribbles,
radiating heat, singing with joy.

from Special Orders (Knopf 2008)