remembering W.S. Merwin

MerwinI’ve been absent from this space for about a month now. Lots of good, necessary upheaval in my life. The recent passing of W.S. Merwin has stirred me out of silence, however, not just here but in life. His work always inspires a kind of active silence in me, a listening that’s helped on and off the page.

I have written about Merwin’s work a number of times here. In a previous post I shared these words from a journal entry where I had copied by hand Merwin’s “A Letter to Su T’ung Po”:

I heard Merwin read this poem a week after filing for divorce from my first marriage. Ani was with me , both of us full of questions. This poem is a river in itself. The last line crosses centuries in a gasp, like one stepping away from the face of a river.

Similar to when I wrote these words, my life’s been carried forward on necessary currents – all of which is a fancy way of saying that I’ve accepted an Assistant Professor position at Suffolk University. This new job also has me taking on the role of Editor-in-Chief of Salamander Magazine. Needless to say, I’m shocked at my good fortune and grateful for the opportunity to join the dynamic community at Suffolk and contribute on a number of levels.

As can be imagined, a move like this is bittersweet. I do find myself in a similar place as when I was filing for a divorce, and when I saw Merwin in person. However turbulent life was for me then, hearing Merwin do his thing – his nuanced, metaphysically and emotionally complex thing – afforded me some calm. His example, then and now, braces me for the good work ahead.

While I have written about the poem below before, the poem remains a favorite. I also share it because it’s the poem I had in mind while I taught during the teaching portion of my campus visit at Suffolk and I made a passing reference to writing in syllabics and the path forged by Merwin. Looking at this poem now and considering his passing, I’m moved by how the lack of punctuation has me as a reader coming closer to the page. That in itself, bringing another closer to language, is an accomplishment in itself.

Thank you, Merwin, for bringing us closer to words.

Youth – W.S. Merwin

Through all of youth I was looking for you
without knowing what I was looking for

or what to call you I think I did not
even know I was looking how would I

have known you when I saw you as I did
time after time when you appeared to me

as you did naked offering yourself
entirely at that moment and you let

me breathe you touch you taste you knowing
no more than I did and only when I

began to think of losing you did I
recognize you when you were already

part memory part distance remaining
mine in the ways that I learn to miss you

from what we cannot hold the stars are made

*

from The Shadow of Sirius (Copper Canyon Press, 2009)

poetryamano project: june 2017

This week I’m sharing another installment archiving my Instagram poetry project entitled @poetryamano (poetry by hand). This account focuses on sharing poems written by hand, either in longhand or more experimental forms such as erasures/blackout poems and found poems.

Below are highlights from June 2017. This month found me going further with erasures. Along with continuing to work out of a true crime book, I also did three tarot-themed erasures.

Be sure to check out the previous installments of the archive – and if you’re on Instagram, follow @poetryamano for the full happenings.

Stay tuned next week for more of the usual Influence happenings. For now, enjoy these forays into variations on the short lyric!

june 2017 1.1

june 2017 1.2

[On the above two pictures: The Hanged Man was the first card I felt connected with in tarot. My wife drew it for me before a trip during a difficult time in my life. I was to be on my own, and the card asked me to ground myself (thaw out) in my writing. It was a powerful experience.]

june 2017 2

june 2017 3

[On the above picture: Found poem made, literally, by hand (my hand’s blocking the rest of the text).]

june 2017 4.1

june 2017 4.2

[On the above two pictures: Continuing with the tarot-themed erasures, here is IX The Hermit. I’m connected to this card in three ways, and its message of being a beacon for others means a lot to me, especially during times where I find myself naturally at a distance from others, or simply not fitting in. My wife took the card photo in answer to the question “Which card would you date?” Bless her for hanging out with me on the mountain. Also: My big ol’ noggin is in caricature in the background of the second pic! ]

june 2017 5.1

june 2017 5.2

[On the above two pictures: Another tarot-themed erasure, this time focusing on the Chariot and the idea of motion in my writing. That each poem is a response to a belief, in the word and myself.]

june 2017 6

june 2017 7

*

Happy amano-ing!

José