* dreaming with miroslav holub

* rules were meant to break your head *

* rules were meant to break your head *

The above image is in reference to Fleming’s right-hand rule, a term used in talking about electromagnetism.

The term appears in this week’s poem, “Dreams” by Miroslav Holub. When writing a dream poem and/or about dreams, I try to always be conscious of the why behind each dream detail. Each detail should feel necessary rather than just shocking or “dream”- like.

The details that surprise me most in Holub’s poem are those that are closest to everyday reality. The short lyric travels from the outlandish to the concrete, and ends on “Just grass” as if defying the expectations of a poem about dreams. Even the reference to the right-hand rule, which was outside of my immediate understanding, is handled as an everyday detail. Holub was a scientist; if dreams are made up in part of the details of everyday life, Holub’s lyric stays true to its revelatory impulse all the way through while remaining consistent to the poet’s life.

***

Dreams – Miroslav Holub

They sap man’s substance
as moon the dew.
A rope grows erect
from the crown of the head.
A black swan hatches
from a pebble.
And a flock of angels in the sky
is taking an evening class
on the skid pan.

I dream, so I dream.
I dream
that three times three is nine,
that the right-hand
rule applies;
and when the circus leaves
the trampled ground will
once more overgrow with grass.

Yes, grass.
Unequivocal grass.
Just grass.

***

Happy grassing!

José

* dedicated with william carlos williams

While “The Red Wheelbarrow” remains one of his more popular poems – and one that confounds students to this day, usually leading to the question Why is that a poem? (to which I usually respond with Why not?) – read enough William Carlos Williams and you’ll see how multifaceted his body of work is. In this week’s poem, “Dedication for a Plot of Ground,” Williams is able to whirlwind through the details of a human life and have them stand with as much vividness as the more nuanced image of

a red wheel
barrow

glazed with rain
water

Two weeks ago I shared a poem by Blaise Cendrars in which I discussed the use of lists in poetry and life. Williams’ use of a list in this week’s poem opens up and gives a second life to a person through his own singular way with specificity.

* este wheelbarrow *

* este wheelbarrow *

Dedication for a Plot of Ground – William Carlos Williams

This plot of ground
facing the waters of this inlet
is dedicated to the living presence of
Emily Dickinson Wellcome
who was born in England; married;
lost her husband and with
her five year old son
sailed for New York in a two-master;
was driven to the Azores;
ran adrift on Fire Island shoal,
met her second husband
in a Brooklyn boarding house,
went with him to Puerto Rico
bore three more children, lost
her second husband, lived hard
for eight years in St. Thomas,
Puerto Rico, San Domingo, followed
the oldest son to New York,
lost her daughter, lost her “baby,”
seized the two boys of
the oldest son by the second marriage
mothered them—they being
motherless—fought for them
against the other grandmother
and the aunts, brought them here
summer after summer, defended
herself here against thieves,
storms, sun, fire,
against flies, against girls
that came smelling about, against
drought, against weeds, storm-tides,
neighbors, weasels that stole her chickens,
against the weakness of her own hands,
against the growing strength of
the boys, against wind, against
the stones, against trespassers,
against rents, against her own mind.

She grubbed this earth with her own hands,
domineered over this grass plot,
blackguarded her oldest son
into buying it, lived here fifteen years,
attained a final loneliness and—

If you can bring nothing to this place
but your carcass, keep out.

***

Happy bringing!

Jose

p.s. Read an article on the recent discovery of the man behind “The Red Wheelbarrow” here.