* celebrating with sei shonagon & yahia lababidi

In celebration of the release of my digital chapbook, The Book of Flight (Essay Press), this week’s Influence will be focused on work that I feel is in spirit with the project.

Hyakuninisshu_062First up is Sei Shonagon, who I wrote about in October. I had reason to return to her lists in The Pillow Book recently, and continue to marvel at the surprise-charged prose:

16. Things That Make One’s Heart Beat Faster

Sparrows feeding their young. To pass a place where babies are playing. To sleep in a room where some incense has been burnt. To notice that one’s elegant Chinese mirror has become a little cloudy. To see a gentleman stop his carriage before one’s gate and instruct his attendants to announce his arrival. To wash one’s hair, make one’s toilet, put on scented robes; even if not a soul sees one, these preparations still produce an inner pleasure.

It is night and one is expecting a visitor. Suddenly one is startled by the sound of raindrops, which the wind blows against the shutters.

The cumulative effect of sensory details is at turns charming and striking. It becomes a matter of where the writer leaves you: When the “wind blows against the shutters” it takes one’s breath as well as the narrative away.

signpostsAnother writer whose work has meant more and more to me in the past few months is Yahia Lababidi. Here’s a sample from his collection, Signposts to Elsewhere: aphorisms & other tailored thoughts:

The personal made universal is art’s truth.

Impulses we attempt to strangle only develop stronger muscles.

The irony of the writer is that of a private person in a public profession.

Venom poisons most the people who carry it.

What I see as the “tailoring” of the aphorisms and thoughts in this collection is something akin to a fingerprint. Throughout, Lababidi does a great job of tempering the didactic and distant nature of the aphorism with a bit of down to earth humor and wisdom.

Here’s another sample:

Dreams: what get us through the night, and oftentimes the day.

Tattoo: graffiti on a masterpiece.

Disgust can be constructive as a spark igniting transformation.

It is not lovers who compose poetry, but Love.

This last line especially speaks to me about the nature of what it means to be a writer, that there is a purpose beyond ink on page at practice through us.

Thank you to everyone who has reached out with kind words about The Book of Flight (available for free online)! Thank you also to everyone who has shared their thoughts about Everything We Think We HearIt’s been a big couple of months for me. Thank you for reading, y’all!

Happy tailoring!

José

* new online chapbook released!!!

“In the book of flight, plastic bags are brought in to do the work of clouds.

Dead leaves rest in the margins.

Grass clippings, eyelashes, fingernails: errata in the book of flight.”

(José Angel Araguz from The Book of Flight)

book of flight cover

Happy to announce the release of my latest online chapbook The Book of Flight published by Essay Press! Read it free online or download the chap in PDF here.

The Book of Flight is one of twelve winners in Essay Press’s first Digital Chapbook Contest. For this contest, Essay Press asked 12 recent Essay authors each to select and introduce a manuscript extending and/or challenging the formal possibilities of prose. I am honored to have my manuscript selected and eloquently introduced by the innovative author Misha Pam Dick.

Here is a brief description of the chapbook:

“José Angel Araguz’s The Book of Flight is a chapbook of aphoristic, fragmentary writings in the style of Ramon Gomez de la Serna’s greguerías and Pablo Neruda’s The Book of Questions. Described by Misha Pam Dick as “a four-part microtreatise-poem. Like aphorisms that don’t preen, or fragments that don’t mourn,” The Book of Flight lives somewhere between the insight of haiku, the personal heat of tanka, and the everyday tone of a poet’s notebook.”

This project is especially meaningful to me as it represents the culmination of many of the ideas and insights I have followed and exercised throughout various notebooks and other projects over the past ten years. “Clock Ode” in Reasons (not) to Dance as well as “Zoot Suit Riot” and “Moth Season” in Everything We Think We Hear are good examples of precursors to the sensibility that is in full force in this project.

Please read and share this free chapbook and stay tuned for the other eleven selections from Essay Press!

Thanks to Andy Fitch, Maria Anderson, and Aimee Harrison for all the hard work in putting together the chapbook. Thanks toAndrea Schreiber for the cover art and Courtney Mandryk for the cover design. And an extra special thanks to Misha Pam Dick for selecting the manuscript and writing the introduction!

See you Friday!

José