* glimpsing fireflies with Denise Levertov

There’s something about poetry – writing and reading it – that develops your ability to deal with the ephemeral, the fleeting, your ability to deal with almost’s.

You can work on a poem for years and still only almost say it.  Or you can read The Wasteland a few times and still only almost get it.  Yet, if it’s good, that almost is worth it.

It’s akin to pointing out fireflies: those little buggers will spark for a second in the grass – but by the time you elbow the person next to you to point them out, the light’s gone and you are left looking out into dark grass until another one lights up.

That glimpse of light – and how it passes onto another – is what I believe the poem below by Denise Levertov to be about.  There is what you see and what you would like others to see – both in writing and in life.

* no, quick, look *

* no, quick, look *

The Secret – Denise Levertov

Two girls discover
the secret of life
in a sudden line of
poetry.

I who don’t know the
secret wrote
the line.  They
told me

(through a third person)
they had found it
but not what it was
not even

what line it was.  No doubt
by now, more than a week
later, they have forgotten
the secret,

the line, the name of
the poem.  I love them
for finding what
I can’t find,

and for loving me
for the line I wrote,
and for forgetting it
so that

a thousand times, til death
finds them, they may
discover it again, in other
lines

in other
happenings.  And for
wanting to know it,
for

assuming there is
such a secret, yes,
for that
most of all.

***

Happy almosting!

Jose

* jamming with Yosano Akiko

Around the same time that I read Takuboku Ishikawa (see last week’s post), I also delved into the work of Yosano Akiko – famed tanka poet and friend to Ishikawa.

I was so taken up by her work that I couldn’t help but respond to her in several tanka.  Here’s one:

she speaks of the River of Stars
outside her window
and I cannot
but listen
on the other side

*

* Miya Masaoka *

* Miya Masaoka *

In the selections below, Akiko refers to an instrument called a koto (see photo).  I got to hear someone play one of these in the evenings while I waited for my train back when I worked in New York City.  Like most stringed instruments, its power is derived from tension.  When Akiko talks of destroying one with an ax, it is more than a metaphor – it is music.

*

from River of Stars – Yosano Akiko

While mother begins
chanting a deathbed sutra,
beside her, the
tiny feet of her infant,
oh so beautiful to see.

*

From her shoulder,
falling over the sutra,
a strand of unruly hair.
A lovely girl and a monk.
The burden of early spring.

*

The gods wish it so:
a life ends with a shatter –
with my great broadax
I demolish my koto.
Oh, listen to that sound!

*

And now you must ask
whether I’ve written new songs.
I am the mythic
koto with twenty-five strings,
but without a bridge for sound.

***

Happy sounding!

Jose

* photo found here.