* sketchiness with Bill Knott

* Domino Effect *

* Domino Effect *

The above is a snapshot of where I’m at in my sketching.  While I would love – and will continue to aspire to – sketch nice scenes of trees (really, just trees, nothing too fancy) I keep coming back to these little efforts that make me smirk.

Do people groan at visual puns?  I’d really like to know.

I’ve been doodling things like the above for years but never put one in my sketchbook til this week.  I was sitting there thinking: Be inspired.  Be inspired.  When some other part of me spoke up and said: Y’know, it’d be funny if…

A few years ago, I came across William Steig’s book The Lonely Ones in which he draws caricatures of emotions like greed and envy.  Totally kindred spirits.  A sort of visual poetry, a bit campier than Magritte.

Here is a drawing inspired by this week’s poem by Bill Knott.

* To Be Continued *

* To Be Continued *

As Usual – Bill Knott *

Immediately I’m dead
Body laid out straight
Please don’t hesitate
Just cut off my head

Lift it and lay it a foot
Or so below my feet
Shift it till I look like
An exclamation mark

Overt sign of joy pain
Surprise consternation
Despair exuberance

As usual a metaphor
Meant to  make up for
My lack of coherence

***

Happy cohering!

Jose

* from his book The Unsubscriber

* the unignorable with Aimee Nezhukumatathil

* unignoring one another *

* unignoring one another *

Some things are unignorable.

For example, moths seem to be unignorable in my writing.  They’ve crept in and out of my poems for years now.  Experiencing moth season in Albuquerque, New Mexico only increased the fascination.

The bumbling after direction and light – yeah, I get that.

They are a symbol of fragility and persistence for me.  In this way, they are all that more human to me.

Human fragility and persistence are also unignorable.  Reading the poem below by Aimee Nezhukumatathil brought this lesson home.  While the world of the poem is a dark one, the lyric never loses sight of the human factor.  Through the final image, the fragility and persistence of the moth is made kindred to human predicament and struggle.  This poem itself was unignorable.

***

Two Moths – Aimee Nezhukumatathil* 

Some girls        on the other side of this planet

will never know        the loveliness

of   walking      in a crepe silk sari.      Instead,

they will spend        their days                          on their backs

for a parade               of   men           who could be       their uncles

in another life.         These girls memorize

each slight wobble                  of   fan blade as it cuts

through the stale       tea air and auto-rickshaw

exhaust,        thick as egg curry.

Men         shove greasy rupees        at the door

for one hour         in a room

with a twelve-year-old.                One hour —               One hour —

One hour.            And if   she cries afterward,

her older sister       will cover it up.         Will rim

the waterline             of   her eyes                 with kohl pencil

until it looks like                        two silk moths

have stopped      to rest       on her exquisite     face.

***

Happy mothing!

Jose

* published in Poetry November 2013