* quick post: desde Hong Kong & some news

* can't Paz this up *

* can’t Paz this up *

Just a quick post to announce the release of the anthology desde Hong Kong: Poets in conversation with Octavio Paz (Chameleon Press), which includes my octave sequence “Octaves for Octavio Paz.”

I was excited by the submission call early this Spring and came up with some rather different takes on the octave. Using a line by Paz as a guide, each octave (nine total) explores a seven syllable syllabic line, playing with the magnetic tension of words and phrasing. Here’s one sample from the sequence:

sobre la hoja de papel/el poema se hace/como el día/sobre la palma del espacio[1]

could we write: morning, window,
light: and write: afternoon stretched,
and so on: write past things missed
by the eye, missed by being
alive, write: the tree outside:
the feeling of lines moving
past you, write: the paper wind
moves: O, we’d miss the missing.

[1] “El Fuego de Cada Día”

Gestures like the play on “O” as address and declaration as well as the unique take on Paz’s words played out in each octave is my way of tipping my hat to the great poet’s Surrealist leanings.

The editors have made available both their Introduction and Afterword which give a more in depth description on the project. More information on the book can be found here.

Thank you to editors Tammy Ho, German Munoz, & Juan Jose Morales.

***

I also want to take this opportunity to announce that my pieces “Relinquished” & “Look” have placed 2nd in Blue Earth Review’s Flash Fiction Contest and will be published in an upcoming issue (BER#13).

Thank you to the editors & staff of BER! I’m greatly honored.

***

See you Friday!

Jose

* logically legit with rae armantrout

Revisiting the work of Rae Armantrout this week, I realize that some poems hit you with the edges of what they could be saying as they are being said. Armantrout’s work for me always gives me just enough to build a singular impression.

In the poem below, the third section’s image of leaves is baffling in its clarity. The line “Leaf shadows on pavement” is a clipped, definite image, but the stanza that follows brings that image to life through sound and meaning, reaching away from imagery and yet evoking the image nonetheless.

Such things shouldn’t be possible, says the logical part of my brain, but there it is – logically legit.

* leaf good enough alone  *

* leaf good enough alone *

Answer – Rae Armantrout *

a moment of stillness,
demanding an answer.

When does a moment end?

*

Starbucks prayer;
“Make morning good again.”

*

Leaf shadows on pavement:

word meaning to slide
carelessly,
repeatedly,
to absentmindedly caress.

*

For I so loved the world

that I set up
my only son

to be arrested.

***

Happy arresting!

Jose

* from Rae Armantrout’s collection, Money Shot.